But when Azzy's brother, Armin, is infected and cast out into the Above, she sets out after him, determined to be there for him no matter what he becomes. The world Above is full of monsters, both wild and cunning, some more human than Azzy was led to believe.
Her search for Armin leads her to Avergard, a ruthless city of inhuman lords and twisted creatures. Azzy must find allies and forge new bonds in this broken world, brave the perils of the Above, and reach Armin before his new power is used to open the Gate once more.
Azure “Azzy” Brimvine and her younger brother Armin have lived with their guardian, Brixby, ever since their mother was killed. As an Apothecary he is training them to his craft, but Armin is showing signs of being infected with the Rot, a magic that eats away at a human. It won’t be long before he is cast out to the Above and there’s no way Azzy is going to let him go alone. The Heap may be a crappy place to live Below, but Above is filled with monsters. Sooner than expected Armin is cast out and that’s when everything in Azzy’s life changes.
This is an interesting take on magic and what it does to humans. Those who make the transformation and actually survive can make a decent life for themselves in the Above. Some of them who do survive turn into monsters though and those are the ones to avoid at all possible. But make no mistake, this world is filled with dangers and monsters. Azzy has to navigate it to find her brother and her guardian, but she does not do so unscathed.
The world is fascinating and the people are varied. The monsters are creative. Some are super gross while others are only a bit so. The way magic works here is inventive. Azzy herself is a puzzle. She has no idea what she is. In a world of strange things she is by far the strangest. She’s also a bit too Mary Sue for my tastes. However, I enjoy her journey and look forward to continuing on.
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Great review, Carol. You're right, it sounds like a unique take on magic.
ReplyDeleteThanks, Flora! It is. Not something I've seen before.
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